Archive for August, 2010

So, what is the difference for you between lush prose and overwritten prose?

I’m not asking to be a smart aleck or because I have an ax to grind (I don’t), I’m genuinely curious what the breaking point is for any of you who would care to comment.

I know that one person’s lush is another’s overwritten and vice versa, so some of it is a matter of taste, but I’d still like to hear your thoughts on this if you’re willing.

For myself, yeah, I do sometimes hit a wall with some lush prose where I want very badly for the author to tone it down several notches. Usually for me it involves the use of a lot of two dollar words when simpler ones would flow better, but it can also involve a great deal of artery-clogging images piled one on top of another. Still, other people lap that kind of thing up like cream—arteries be damned.

There probably isn’t a consensus. But, please, discuss…

Random quote of the day:

“To live happily with other people one should ask of them only what they can give.”

—Tristan Bernard, L’Enfant Prodigue du Vesinet

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Ever since the Syfy Channel’s new series, Haven, debuted I’ve been in a slight funk. You see, the novel I’m doing revisions on is a contemporary fantasy which involves people in a quirky rural Southern California county where the paranormal is an everyday occurrence and the inhabitants take it for granted. Much like the quirky small town of Haven on Syfy. It was bad enough when their show, Eureka, premiered. That was about a quirky small town in which wild experiments in fringe science took place, causing paranormal-like events to happen all the time. Everyone there pretty much took it for granted, too.

I think the story of my novel is original, but it can’t help but be overshadowed by all this quirk and all these strange towns. I continue to polish the novel, however. It’s what I have; I will market it. It’s a stand-alone, but it’s also part of a trilogy, see, and I really want to write those other books. Maybe even more than I wanted to write this one.

I first came up with the concept of Dos Lunas County, my quirky entry, about eleven years ago. Formulating the concept, the characters, the plotting took awhile, and this novel had at least two false starts before I finally finished it. This is not an atypical pattern for me, unfortunately. For a time I was finishing a novel a year, but those individual novels were often years in the making. One would come on strong, then need restructuring so I’d work on another until I solved the problems. About once a year, one of them would finally click completely into place and I could push forward to the finish. This has, as you can imagine, sometimes worked to my disadvantage, marketing-wise.

If only I weren’t such a slow writer. If only I didn’t think so much. If only I didn’t think up perpetual if-onlys. This isn’t a whine, not really, because I know that the fault, dear Brutus, lies not in my stars but in myself. I could get back to the novel a year pace, I think, but I seriously doubt I will be able to conceive, plot, and write a novel in a year. They surge and wane and surge again, so I’m always a beat or two behind the rhythm of the market.

I write on and continue to market my arhythmic novels. What else can I do? I am what I am, the market is what it is, and the zeitgeist is always pumping out ideas in multiple directions, hoping that somebody will take up the challenge and run (fast) with it.

Random quote of the day:

“Most lovers want to be known for what they are, to see their bond reflected in other people’s eyes.”

—Elizabeth Cunningham, The Passion of Mary Magdalen

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Random quote of the day:

“News didn’t grieve.  It took note, moved on.”

—Emma Bull, Territory

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Finished in July:

1.  The Heart of Faerie Oracle by Wendy and Brian Froud

A beautifully-illustrated oracle that uses Faerie to explore relationships: to others, to oneself, to the universe. Lovely and approachable.

2.  Demon Blood by Meljean Brook

I love this series and this is a worthy entry into it. Ms. Brook has really hit her stride.

3.  The Keys to D’Espérance by Chaz Brenchley (Subterranean Press chapbook)

A short, fantastical, compelling read that leaves as many mysteries as it solves, winding around itself like the spiral staircase at the center of the story. Beautiful writing and a beautiful raveling and unraveling of a character.

4.  In a Strange City by Laura Lippman

The writing is good, the characterizations are mostly excellent, the premise was interesting, BUT I found the plot so transparent that I guessed the whodunit quite early on and much of the whydunit. As a result, the ending was flat and not particularly inspiring. The other plot element I didn’t care for centered around the main character, Tess Monaghan, doing stupid things. I realize that part of this is because Tess is a risk-taker, but she displayed such stupidity in some places (for an otherwise smart woman) that I felt it was more about authorial convenience in advancing the plot than true characterization.

It’s really a shame, because I was excited by that premise: a mystery centering around the Poe Toaster, an anonymous man who for sixty years (until 2010) left roses and cognac on the grave of Edgar Allen Poe each January 19 (Poe’s birthday).

I will probably read something else by Ms. Lippman because, as I said, the writing and characters were mostly well-handled, but I think maybe I’ll try one of her stand-alones rather than another from the the Tess Monaghan series.

Begun in July:

  1. Demon Blood by Meljean Brook
  2. Blood Noir by Laurell K. Hamilton
  3. The Keys to D’Espérance by Chaz Brenchley (chapbook)
  4. A Madness of Angels by Kate Griffin (aka Catherine Webb)

Continued Reading This Month:

  1. Serpent in the Thorns by Jeri Westerson
  2. Walkers Between the Worlds: The Western Mysteries from Shaman to Magus by Caitlin and John Matthews
  3. Popular Magic: Cunning-folk in English History by Owen Davies

Random quote of the day:

“A ship in port is safe; but that’s not what ships are built for.  Sail out to sea and do new things.”

—Rear Admiral Grace Murray Hopper, quoted in Abacus, Vol. 2, Iss. 1 (Fall 1984)

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.